Album Review: The Darkness - 'Dreams On Toast'

The Darkness are back with their eighth studio album, 'Dreams on Toast'. Whilst it's always a little bit hard not to compare to their masterpiece, 'Permission To Land', the latest record showcases the band's signature blend of rock exuberance and playful lyricism.

The opening track, 'Rock and Roll Party Cowboy', sets the tone with its celebration of the rock 'n' roll lifestyle, listing off all the things you'd think of in the world of rock 'n' roll ("Leather jacket, no sleeves, Harley-Davidson, yes, please, Zippo lighter, Marlboro Reds, Jack Daniels..."). The song served as the opener for their recent tour that we were lucky enough to attend, and the nostalgia of the crowd's energy gave the song a heavy advantage on playback.

'I Hate Myself' only confirms the band's versatility and experimentation, I mean who doesn't love a saxophone? While 'Hot on My Tail' draws into that typical Darkness humour, while combining a more country-esque sound. (Spoiler alert: this song is about farting.)

'The Longest Kiss' stands out as a jaunty, piano-led composition that draws inspiration from 1970s pop influences like Queen and Paul McCartney. This track exemplifies the band's ability to craft catchy melodies while maintaining their distinctive sound. ​

Throughout the album, The Darkness incorporates a variety of genres, keeping listeners engaged with unexpected turns. The track 'Cold Hearted Woman' showcases Justin Hawkins' clever wordplay, adding a layer of playful mischief to the listening experience.

While 'Dreams on Toast' may not break new ground in the rock genre, it delivers a satisfying and enjoyable listening experience. The album captures the essence of The Darkness' appeal: a blend of musical prowess, theatrical flair, and a sense of fun that has endeared them to fans for over two decades.